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Home > Photography > Flower Photography > Sepia Flower Photography

Sepia Flower Photography

Sepia flower photography is a highly creative example of the photographic medium. These works are perfect for audiences that want less contrast than black and white photography but don't want the distracting colors of regular flower photography.

Sepia tone photos are highly unique in that they provide warmth to the picture, while still retaining the classic attitudes of black and white photography. Where black and white photography hints at the past and color photos embrace the joy of the present, sepia photography retains a space between those two times. These muted blossom images are beautiful in execution and provide works with something the other two alternatives do not. Works like 'Classic Beauty' by Charles Britt and 'Spirit' by John Jones are beautiful examples of contemplation and remind the viewer of the same qualities that are present when waking from a particularly poignant dream. However, many people enjoy the vintage, yellowed qualities of these framed sepia tone photos. Images like 'Daisies II' by Judy Silverstein are not only vintage but personable photographs which invite the viewer to contemplate the days of their youth or to celebrate the youth that is still theirs.

Related categories you might be interested in:

Sepia Floral Photography

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Pop of Color Lotus Flowers
by Color Me Happy
14" x 20"
Ships within 2-4 days
Enlightenment I
by Cinzia Ryan
5" x 7"
Usually ships same day
Enlightenment II
by Cinzia Ryan
5" x 7"
Usually ships same day
Tulips
by Michael Harrison
16" x 16"
Ships within 2-4 days
There is Beauty in Simplicity
by Lori Deiter
20" x 8"
Ships within 2-4 days
Radiance II
by Cinzia Ryan
7" x 9"
Usually ships same day
Polaroid Orchid
by Diane Stimson
12" x 16"
Usually ships same day
Daisies II
by Judy Silverstein
10" x 8"
Usually ships same day
Veronica's Garden I
by Kelly Donovan
12" x 12"
Usually ships same day
Veronica's Garden II
by Kelly Donovan
12" x 12"
Usually ships same day
Gypsy Dasies
by Wild Apple Studio
12" x 16"
Usually ships same day
Dogwood
by Ann Dahlgren
12" x 12"
Usually ships same day
Grace
by Ily Szilagyi
12" x 12"
Usually ships same day
Elegance
by Ily Szilagyi
12" x 12"
Usually ships same day
Spirit
by John Jones
16" x 16"
Usually ships same day
Sunflower
by Katrina Craven
8" x 20"
Usually ships same day
Classic Beauty
by Charles Britt
12" x 16"
Usually ships same day
Splendid Beauty
by Charles Britt
12" x 16"
Usually ships same day
Winter Magnolia I
by Tony Stuart
10" x 8"
Usually ships same day
Radiance II
by Cinzia Ryan
12" x 16"
Usually ships same day
Radiance III
by Cinzia Ryan
12" x 16"
Usually ships same day
Radiance IV
by Cinzia Ryan
15" x 18"
Usually ships same day
Timeless Grace II
by Charles Britt
15" x 15"
Usually ships same day
Polaroid Magnolia
by Diane Stimson
12" x 16"
Usually ships same day
Blossom III - sepia
by Unknown
12" x 12"
Usually ships same day
Classic Beauty
by Charles Britt
5" x 7"
Usually ships same day
Sepia Blossom
by Randy Hibberd
36" x 24"
Usually ships same day
Orchid Study III
by Dianne Poinski
10" x 12"
Usually ships same day
Smokies Road
by Wendy Caro
28" x 20"
Usually ships same day
Smokies Fence
by Wendy Caro
28" x 20"
Usually ships same day
Timeless Grace III
by Charles Britt
12" x 13"
Ships within 2-4 days
Enlightenment
by Cinzia Ryan
36" x 18"
Usually ships same day
Star of Bethlehem Triptych
by Andrew Levine
39" x 28"
Usually ships same day
Falling Queen Annes Lace II Crop Sepia
by Elizabeth Urquhart
12" x 12"
Ships within 2-4 days
Moonglow Tulip
by Rebecca Swanson
12" x 15"
Ships within 2-4 days
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Close up sepia floral prints are highly popular aspect of floral sepia photographs because they allow room for contrast without having an excess of dead space. Typically the background of these works is pure black, in order to create the greatest contrast without taking away from the floral subject. Although muted, blossom images that employ these techniques are dramatically striking, as in the case of the 'Radiance Series' by Cinzia Ryan or the 'Timeless Grace Series' by Charles Britt. Works that choose not to employ the all black background are usually less dramatic and more sensitive in their depictions, as seen in 'Dogwood' by Ann Dahlgren or 'Polaroid Magnolia' by Diane Stimson.
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