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John William Waterhouse Art Prints

Influenced by Pre-Raphaelite themes, John William Waterhouse was an academic painter consumed by the myths of the Enchantress. In his paintings, women are depicted in all acts of sensuality - inhaling the scent of roses, floating as nymphs in water, or lounging with their lovers in gardens. Born to an English family living in Rome, Waterhouse was influenced by the classical artwork and literature found in Rome, as well as English history and literature. Nevertheless, his artistic training was done entirely in London, where he entered the Royal Academy School in 1870. Waterhouse infused a certain psychological tension into his work. In particular, the artist's Lady of Shalott exhibits emotional unease. Based on the poem by Lord Alfred Tennyson, Waterhouse's enraptured Lady is depicted in an anticipatory pose, frozen in the enraptured moment before she drowns herself. Waterhouse's paintings can be seen today throughout Australia and England, including the Tate Museum in London.
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The Lady of Shallot
by John William Waterhouse
16" x 12"
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The Soul of the Rose
by John William Waterhouse
12" x 18"
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A Mermaid
by John William Waterhouse
12" x 18"
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Miranda the Tempest
by John William Waterhouse
20" x 15"
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The Lady of Shalott, 1888
by John William Waterhouse
18" x 14"
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Hylas and the Nymphs
by John William Waterhouse
19" x 12"
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Echo and Narcissus, 1903
by John William Waterhouse
18" x 10"
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The Crystal Ball
by John William Waterhouse
12" x 18"
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Hylas and the Nymphs
by John William Waterhouse
34" x 22"
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The Soul of the Rose
by John William Waterhouse
20" x 30"
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The Beautiful Lady without Pity, 1893
by John William Waterhouse
12" x 16"
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Hylas and the Nymphs
by John William Waterhouse
11" x 8"
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Thisbe, 1909
by John William Waterhouse
12" x 21"
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